It takes a deep dive into the Icelandic poet’s language and ways to recreate poetry in this manner properly. This third section is a conversation between Ægir, the divine personification of the sea, and Bragi, the god of poetry. SkáldskaparmálĪs a text designed to teach the reader how to write skaldic poetry, the Skáldskaparmál dives deep into the poetry-writing process. When the stories are complete, Gylfi has immediately transported away from the palace to his land, where he lives, telling the tales of what he encountered to his people. The title of this chapter comes from Gylfi, a king of Sweden, who travels to a palace in Asgard, where he encounters three men named High, Just-As-High, and Third.ĭuring his encounter with the three men, he asks about the many Norse gods, as well as the creation and destruction of the world. It depicts everything from the creation of the world to Ragnarök. If you want a rich account of Norse mythology, many read the Gylfaginning first. Of the four sections, the second section, or Gylfaginning, is ripe with Norse mythologies. In the prologue, Norse gods are referred to as Roman Trojan warriors that fled Troy and settled in Northern Europe. The prologue of the Prose Edda reduces the Norse gods to fictional stories rather than theological accounts. It was written by Snorri Sturluson, who was a Christian. The prologue of the Prose Edda remains the most controversial of the four books. The Reason The Prose Edda is Sometimes Controversial.
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